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Braid: Anniversary Edition annonceret til Switch

Skrevet af Zone - 07-08-2020 12:42

En af de helt store indie-klassikere vender tilbage i en ny og forbedret udgave. Udgiveren Thekla har nemlig annonceret Braid: Anniversary Edition, til moderne konsoller, heriblandt Nintendo Switch. Spillet udkommer i første kvartal 2021 og indeholder ny, forbedret grafik og animationer, forbedret musik og lyd, samt tilføjelse af kommentarspor fra udvikleren. Hvis man hellere vil spille spillet i sin originale form, kan man skifte i mellem den originale grafik og lyd og de nye forbedringer.

Spillet udkom oprindeligt på XBOX 360 Arcade tilbage i 2008, og er udviklet af Jonathan Blow. Spillet blev voldsomt populært og var et af de første rigtigt succesfulde indie-spil. Se Braid: Anniversary Editions annonceringstrailer herunder:

Jonathan Blow udgav følgende udtalelse på spillet hjemmeside, i forbindelse med annonceringen:

Announcing Braid,
Anniversary Edition

I'm very happy to reveal that we've been working in secret on Braid, Anniversary Edition for a while now.

Back when I was originally working on Braid, even when it was a simple project with ugly programmer art and looked nothing like a respectable game, I knew that one of the primary goals of the project was to treat video games as a medium with serious artistic potential. That potential involves longevity: many great works of painting, sculpture, and architecture have lasted for centuries and inspired generations of people. Video games weren't like that back then (and still mostly aren't today), and I knew I couldn't predict what would be necessary to keep the game alive and available many decades into the future; but I knew it was part of the project, and that I would try my best.

Back when Braid was originally being developed, with its launch platform being the Xbox 360, 720p seemed like a pretty high resolution. Neither the Xbox 360 nor the PlayStation 3 could render most games at higher resolution than that; a few games could barely do 1080p, if they were very spare with regard to per-pixel detail, which Braid was not (Braid's style involves drawing lots of translucent particles over each other, which means each pixel is drawn many times!). But when David Hellman came on to the project to do the game's visuals, we decided we would future-proof the game by drawing all the source art at *twice* 720p, then scale it down for the game's release. At the time, around the year 2007, this was difficult to do; the tools we were using would chug unresponsively when trying to edit such large bitmaps. But surely this would all be worth it, because it would allow us to re-release the game with sharper graphics later on!

We just didn't think far enough ahead, I guess; before too long, 4k monitors became available, some folks are using 5k monitors, and 8k is on the horizon (though that seems pretty excessive to me, right now!) If you play original Braid on a 4k monitor, the result is blurry and unpleasant to look at. The original double-scale art that we had archived for Braid would still be blurry at 4k, and anyway it was never really meant to be seen at that level of detail.

So, if we want people with modern computers to be able to enjoy the game the way it was meant to be played, how do we do that? Well, I guess the answer is for David to repaint the whole game at much higher levels of detail, so that is what we did. While we were at it, we could add extra animations and effects to make movement feel better; we could use more sophisticated brush-stroke effects to animate the foregrounds and backgrounds; we could go to some of the scenes that, in retrospect, could have used more attention in terms of visual concepts like unique landmarks, and build them out into what they deserved to be. Then we could upgrade the sound and music (the original sound effects were mostly bought by me for 99 cents each from a random sound-effects web site); Martin Stig Andersen (who worked on Control, Inside, Limbo, and other games with great audio) and Hans Christian Kock (who has done extensive film and TV work) have been handling this and the results are very moody. Don't worry though, the soundtrack is all the same music, though the guys have done some great mixes that really amplify the mood in the late-game.

In fact, the whole time, one of the guiding principles has been that we must not _Star Wars Special Edition_ the game. Greedo doesn't shoot first, we don't add a bunch of CGI that sticks out like a sore thumb and ruins the mood, and so forth. So whenever we add a graphical enhancement, we're careful to respect the original game, and to ensure the new thing fits well. Sometimes this is very difficult! But it's important that we don't change the fundamentals of the game in the process of upgrading it.

If you miss old Braid, you can toggle between the original and the _Special Addition_ at any time by pressing a controller button or keyboard key. This changes not only the level of graphical detail, but the sound effects and music and the extra elements in the scene. It's a cool effect, and we use it sometimes in the commentary when talking about the changes we've made.

Oh, I haven't mentioned the commentary yet!

Of course it was natural to think of doing commentary in a re-release like this. I wish more games had good developer commentary in them. But as I think about the games that have commentary, my impulse is, I want to push this a lot further. I want to go much deeper into the subject matter than developers usually do; I want to say stuff that really gets to the heart of why things are the way they are, rather than just saying some surface stuff for the sake of doing commentary, as often happens. I want to cover all subjects involved in the game -- art, programming, game design, level design, history of independent games, whatever else -- and if you want a high-level, short explanation, you can get that, but if you want a 20-minute-long explanation of why a particular puzzle is the way it is, you can get that too. You can follow particular threads of commentary spatially, through wormholes that go from level to level, to see examples of particular concepts; the commentary has lots of markup so we can circle stuff on the screen, point arrows at whatever visual detail we are talking about, show diagrams, play back recordings of gameplay to show what happens if you try doing this or that in a particular level ... and many other capabilities.

The goal is to make it the craziest, most-in-depth commentary ever put in a video game.

We're aiming for a release in the first quarter of 2021, and we'll be showing much more about the game in the run-up to release! For what platforms, you may ask. The plan is to release simultaneously on: PlayStation 4, PlayStation 5, Xbox One, Xbox Series X, Nintendo Switch, Windows, Mac, and Linux. That's a lot for a small studio like ours (original Braid only launched on 1 platform, and The Witness only launched on 3 platforms!) So, it's going to be ... interesting. If you want to sign up for a mailing list, to know more as it is announced, you can do that here.

See you later,


August 6, 2020

1ups givet


#1 - JOEP

Level: 46 (Phantoon)

07-08-2020 15:06

Kan ikke huske, om jeg allerede har Braid på Xbox eller bare har spillet noget af det. Så det må betyde, at det er et løb værd. Det er i hvert fald et super spil, der var banebrydende for sin tid og har påvirket Indie-spil siden mht. pris kontra kvalitet og grafisk design.
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#2 - Jonezy

Level: 17 (Deku Baba)

07-08-2020 20:32

Det var en mindblowing oplevelse, da jeg spillede det i sin tid. Virkelig en oplevelse.
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#3 - BroSmash

Level: 6 (Cucco)

08-08-2020 19:44

Holdet spillet stadig i dag? Overvejer at samme det op Smiley
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#4 - Jonezy

Level: 17 (Deku Baba)

08-08-2020 21:36

Ja, det vil jeg påstå. Det er en puzzle platformer med fokus på puzzle og de puzzles vil stadig få dig til at føle dig som Einstein når du løser dem. Smiley
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